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The message of the album is love, and the different bits of love- we got the good the bad and the ugly I am talking about all of it, all the different stages.
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Taking time out from running around doing errands on his daughters’ birthday, and trying to squeeze in a vote in the mid terms elections in America, Donell Jones spoke to Blues & Soul about her new album, record label, and the difference a decade has made for him. Donell Jones has been in the musical limelight for over a decade and does not appear to be slowing down any time soon. Many of us can remember hearing his first international hit single ‘You Know What’s Up’, which featured the late Left Eye one of the greatest tracks of the last century and still guaranteed to get partygoers onto the dance floor now. Through slamming slap bass, masterful slow-grind and clear-cut self-obsession, Lyrics is a unified hip hop-tinged RnB mainstay, familiar without the distasteful nostalgia, and heavy on infectious beats.December 2010 sees the release of the hot new albums ‘Lyrics’ by Donell Jones. Whether it's touches like the soaring harmonies on Just a Little's chorus, the decided lack of big-name guests or the idea of a lothario being occasionally crushed, Jones is clever and sleek enough to pull this album off. But to criticise Lyrics for being unsubtle would be to miss the point - this is an album styled on caricatures, with strong tunes.
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His 'type' swings the pendulum between heinous chauvinist (see Blackmail's flat-lined sneaking-out-the-mistress bragging) and changed man (on Love Like This). When the Chicago-born singer does take centre-stage, he juxtaposes overconfidence with shyness to great effect - each through the microscope he's created. The song's incisive Timbaland-style verses are brilliant, a tease for what can be achieved with a more liberal mind on production but he's gone too far on being benevolent. More unfittingly, Jones selflessly gives away one of Lyrics' 13 songs to Breeze - he isn't even present on You Can Burn ("I usually don't do this but I got to introduce y'all to Breeze). What's Next, for example, sounds like the trajectory Usher should've followed - and the production is warm and luxurious. Jones' impressively suave soft touch, soulful backing and bedroom vocals don't require these self-justificatory mixtape-style intros. Jones / The rebirth of hip hop and RnB" foreword. The spoken pre-ambles recur too, but less humorously - it's entirely unnecessary to introduce the album with a "Yo, it's your boy D. But that's comforting rather than not, apart from when Jones' mother introduces Your Place with the immortal words "Give them some of that Chicago-style RnB I brought you up on" - before the chorus strikes with its "Can we do it in your place baby" refrain.
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Subject-wise, it doesn't stray too far from blush-inducing, unadulterated filth. The signature silky vocals are consistently come-hither, and the subject is so elementarily sex-focused - but rather than a soulless recreation of what he's been doing since late-90s hit U Know What's Up, it's an enticing and still-current LP. Donell Jones's self-produced sixth album, Lyrics, has a lot to treasure.